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New in the library, the Pottery Collection

During the pandemic, I discovered (and instantly binged) The Great Pottery Throwdown on MAX. In the throes of uncertainty (pun intended), it was the kind of relaxing television I found soothing. Nice people making stuff in a beautiful setting. What’s not to love? I’ve always loved pottery and appreciate the skill involved in making it. Through the years, I have picked up small pieces from artists or places such as the Santa Fe Indian Market. Watching this show, I was fascinated to learn about the different types of clay, glazing, and firing techniques involved in ceramics. As a pattern designer, seeing how the potters approached the surface design of their pieces was always an exciting element.

Pottery piece the author purchased at the Santa Fe Indian Market.

One episode, in particular that intrigued me was focused on Acoma pottery. I had not heard about these potters before, but their exquisite patterns blew me away. I later learned that the Acoma Pueblo in Northern New Mexico is also known as “sky city.” It is the oldest inhabited community in North America, with a rich culture and beautiful art traditions. Collectors and enthusiasts recognize Acoma pottery by its fluted rims, thin walls, and geometric designs. Colors are typically black and white or muted warm colors.

The simple yet sophisticated look of this pottery moved me.

So many of the patterns I’d worked on recently were very complex, layered, and busy. I felt inspired to try and create a group of patterns that were simple without being boring. It’s funny how much harder it is to be simple. It’s easy to keep adding elements. Yet, removing them and leaving only as much as is necessary to communicate a feeling or concept can be a challenge.

Pattern Fired Triangle (P2274)

Creating this group of patterns felt like an exhalation. It allowed me to slow down and see what I could make when I limited myself to just two colors per pattern. What could I do with the layout and subtle texture to add interest? These eighteen patterns that grew out of this impulse have a modern touch yet feel warm.

Clay Zig Zag Pattern (P2286)

All patterns in this group are available for licensing in the licensable library. What makes these patterns special is how versatile they are. We think they work well for flooring, upholstery, wallcovering, or any surface in a space that needs a pattern.

Image of eighteen patterns in the Design Pool pottery collection.

For anyone interested, the Acoma pottery episode of The Great Pottery Throwdown is episode 8 in season 4. There is also a stunning Craft in America episode featuring Acoma potter Robert Patricio that will leave you wanting to either sign up for a pottery class or book a trip to New Mexico, maybe both!

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Author

Kristen Dettoni

Kristen is a visionary textile designer based in Southern New Hampshire with a track record of industry-defining contributions dating back to 1993. She is the Founder of Design Pool and Domanda Design and is an occasional blogger. Her creative influence is reflected in her work across multiple sectors, including automotive, office, hospitality, healthcare and home furnishings. Kristen is an accomplished designer with over thirty years of experience in design with a BFA from Kansas City Art Institute and an MFA from Cranbrook Academy of Art. She maintains an art practice and exhibits her artwork in juried and group shows throughout the United States. Her artwork has received numerous awards and honorable mentions. Whatever her creative pursuit, Dettoni approaches it with a strong belief in the power of good design to transform our environments and ultimately, our lives.

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